چکیده (انگلیسی):

This article focuses on the narrative techniques of Amitav Ghosh with reference The
Circle of Reason by analyzing new sensibilities, meanings and new dimensions in the
Indian English novel. An attempt has been made in this article to make a study of the
exciting experiments of Amitav Ghosh’s The Circle of Reason. It shows historical and
political realities and trends, this clear headed erasure and re-drawing of cultural and
political lines that divide and unite. Ghosh’s narrative skills and imaginative waves
together a pluralistic and self-reflexive view of the world. Amitav Ghosh’s narrative
technique the freshness of ides and genius of stylistic concerns and unrestrained
experimentation in narrative technique is an indication of development in Indo-Anglican
fiction. Allegory, symbols, fantasy, magical realism, narrative fluctuating backwards
and forward in time, the compelling use of narrator, fluency in story telling and the
unveiling of layers and layers of meaning have all becomes a mode of writing.
Experimentation with English language the use of parody and sheer invention has
resulted in the formation of new language rhythms. All experimented with narrative
techniques to present new sensibilities, meanings and themes. Slick craftsmanship with
narrative technique has created new dimensions and possibilities for the Indian novel in
English