چکیده (انگلیسی):

This paper delivers to the reader something of the drama that was at the centre of the colonized countries, from
beginning to end. It seeks to conceive the individual art of the indomitable Martinican poet and dramatist Aimé Césaire
(1913-2008), for writing one of the classics of Caribbean writing -- A Tempest (AT). A strong social and political
conscience informs the play, hoping to liberate the literary mind of Césaire against the classical colonialambition of the
disturbing work of Shakespeare-- The Tempest(TT). The key question to this paper is: how each of these two texts, in a
feasible dialogic way, shades into one another, and if this new version one adapted with some distance from the original
for more imaginative work? Thus, my take has been to deploy the dialogic ideas of the language philosopher Mikhail
Bakhtin, specifically the art of answerability. I argue here that Cesaire’s call for a reclaiming of a self-other duality
marks as a force for social change and liberation.