چکیده (انگلیسی):

This paper offers a meta-critical statement on the critical inputs of some major Nigerian male critics to the tenets and
posture of feminism in a body of representative feminist creative works in Nigeria. Evincing an aggregation of these
male voices the quantum of which urges feminist cautionary approach to their critical expostulations both in the creative
enterprise and critical temper, the paper argues that feminism in Nigeria, of whatever shade or colouration, has become
too partial, too single-voiced and therefore, too dangerous for continued male and female sanctity and the prevailing
complacency in the creative,critical and even political drives of the Nigerian society.The paper in consequence
challenges budding and practicing creative writers, critics and stake-holders especially in tertiary institutions in Nigeria
to work to reverse or at leastcurtailand stall the trendas it is poised to pose intractable danger for, not only the country
,but the world at large, in terms of cohesion and the paterfamilias in the not-too-distantfuture.