چکیده (انگلیسی):

This paper presents a close analysis of the images in Federico Lorca’s poems entitled “Poet in New York” where he
depicts two kinds of deaths that are opposite to each other in multiple aspects of meaning and significance. In so doing,
the paper argues that the death depicted in such images as the drowned child signifies the loss of innocence, while the
death of the city, depicted in the many cruel and bloody images in these poems, signifies a terrifying living death. The
former is a concept that Lorca lamentedand ritualized, a concept he allowed himself to be obsessed with.The latter is a
concept he detested and condemned. The paper further shows that both concepts are reflections of his personal plights
and tribulations in life and his own experiences in New York.